Recently, I’ve uncovered more tapes from the archives. This batch of tunes is from the Ragas era in Los Angeles – circa 2000. The tunes were recorded on my Tascam 4 Track in Austin, Texas during a road trip with Henry McGuinn. Our duo called the Ragas was heavily influenced by the Byrds 1965-1967 era. More to come….
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1 Introduction – 02:16
2 Commentary On Beach – 01:30
3 Beach – 03:55
4 Commentary on BJM-Like Song – 01:45
5 BJM-Like Song – 03:04
6 Commentary On Confusion Lies Guns and Drugs – 02:08
7 Confusion, Lies, Guns, And Drugs – 02:34
8 Commentary on Can’t Be Down That Very Long – 00:58
9 Can’t Be Down That Very Long – 02:29
10 Commentary on 3 of Clubs – 00:53
11 3 of Clubs – 03:46
12 Commentary On Swing Tune – 00:50
13 Swing Tune – 01:28
14 Commentary on Jazz Tune – 00:43
15 Jazz Tune – 02:23
16 Commentary On Beach Acoustic – 01:24
17 Beach (Acoustic) – 05:24
18 Outro Influence of West Coast Scene – 02:27
Download for free here:
Here are some paintings done by Henry McGuinn. They are quite colorful and much like the “Yellow Submarine” cartoon of the Beatles. During that time, Henry and I watched the Yellow Submarine a thousand times.
Jim with 12-String Rickenbacker and Korg
The Ragas at Topanga Beach
Jim Sleeps In Bush On PCH Near Malibu
The Car Chase
3 of Clubs in Hollywood
Jim Drinking Stout for Breakfast at Neptune’s Lounge – Topanga Canyon
Thanks Henry. The art is rad and really sums up my life in 2000. Cheers. Jim Guittard
Listen to a live show of the Ragas from 2000.
Well I just wanted to let people know that Henry McGuinn and I have released an album on the free download site Jamendo.
The songs are from 2000 when we were establishing our band the Ragas in the beginnings of the Neo-Psychedelic scene in Hollywood.
I had enough foresight to let my 4-track roll. The tunes are pretty raw but I think captures the essense of the Ragas. We named our group the Ragas after sitar royalty Ravi Shankar and the style of raga rock music that the Beatles and the Byrds came up with.
Basically, Henry and I would jam tunes and record them and then trek out for Indian food on the Sunset Strip. It was fun times.
I hope you will download for free at:
All the Best,
Henry and I are sorting out the order of our album we will put out soon. The songs are all very nice. You’ll experience the raw organic world of the Ragas as it was back in 2000 in Los Angeles.
It’s part of my history and of course a part of the underground Byrds scene. Henry is the son of the Byrds founder, Roger McGuinn.
I am glad I let my 4 track roll during our Raga rehearsal sessions in my Hollywood pad that overlooked Capital Records. There are also some tracks from our trek down to Austin, Texas. My brother of Flat People helped out on the bass.
I’ll keep you posted.
February 2000, Los Angeles, California
I drove up to the Sherman Oaks, California Guitar Center on Ventura. I had grown tired of the Guitar Center on Sunset Blvd and all the tourists. It was so loud. On this particular day, I walked in wearing my John Lennon T-Shirt that said New York City.
I had gone in to look for a new amplifier. I looked around the store quickly and decided that I had seen enough. I walked out the front door and down the street and decided, no I was going back in.
Inside I found a white Fender Stratocaster and got a power cord and plugged into a Fender amp. I began playing jazz chords. After a few minutes and while I was still playing a guy came up to me.
This was Henry McGuinn. He said, “Hey man. I like your playing. What’s happening? Do you like the Byrds?”
I said, “Yeah, I guess so. I don’t have any of their albums but I like Mr. Tambourine Man and Eight Miles High. That’s all I know.”
Henry said, “My dad’s Roger McGuinn, who started the Byrds.”
I said, “Yeah, man, that’s cool. Can I see your ID?”
We talked in the store for about twenty minutes. We spoke about the Beatles, Bob Dylan, and the Rolling Stones. I finally found someone I could relate to with this type of music. My meeting with Henry left me with renewed purpose. It seemed that I was just waiting around a bit in Hollywood to find the right people. I figured sooner or later I would find someone. I left the Guitar Center stoked, thinking of the possibilities. I guess I was a bit star-struck, too.
The next day, I went to the Warehouse on Sunset Blvd. to look for some Byrds music. I found and bought 5D. It was the Byrds 1966 album that had Eight Miles High, Mr. Spaceman, and I See You on it. I listened to the album a few times and decided to call Henry.
I left a message and an hour or so later he called from a pay phone.
Henry, “Hey, what’s happening? This is Henry McGuinn.”
I said enthusiastically, “Hey, Henry, yeah this is Jim. I met you at the Guitar Center.”
Henry said, “Yeah cool. I’m out by the beach just loving it.”
I said, “I bought 5D. It’s really cool. I haven’t ever really listened to the Byrds but they are really hip.”
Henry said, “Yeah, they’re all good, especially ’65-’68 era. Well, so you want to get together?”
I said, “How bout tomorrow? We could have lunch and then jam.”
Henry, “Yeah, I just want to meet and see if we have chemistry, you know.”
Boy I was excited, the chance to play with someone that liked the same music I did and the fact that his dad is a rock star is totally rad!
The next day I met him outside at his truck. We brought up his guitar and then we walked to a Sandwich shop right up Las Palmas in Hollywood. We ate and talked music and began to get to know each other. We seemed to be on such a similar wavelength. It was kind of amazing chemistry really.
After lunch, we opened up our guitars. He brought out his acoustic 12- String Martin guitar. At first, I just listened to him. He sang a few Byrds tunes. He sang Tambourine Man and You Ain’t Goin’ Nowhere and I believe he sang the Christian Life as well. At the time I had never heard the Christian Life and I was stoked on it. I was really inspired to start playing.
The next few times that we met, we listened to Byrds music. At the Tower Records, I loaded up on all sorts of music that he recommended. I was really into it. I bought several Flying Burrito Brothers albums, some Gram Parsons and Lovin’ Spoonful.
Our music was finally coming together. We were playing some Beatles, Byrds, and Dylan covers and some of our new stuff. He played me his cool song called Summertime that he wrote at the beach inspired by George Harrison and What You Say a song about running away and pure Byrds. I loved it. I added some rhythm guitar to it while he did his fingerpicking style soloing inspired by his father.
One day Henry brought over his 12-String Guitar Instructional Video that his dad had done. On the video his dad went wild on the 12- String Rickenbacker playing his old classics. I was again blown away.
Now prior to that point I had always thought that the Beatles were my number one group but I now believed that the Byrds were up there with them. It was great to learn more about music. I did not feel bad about buying a lot of records. I considered it an investment: The Who ’65, The Zombies, The Association, Beach Boys Pet Sounds, The Kinks, Gram Parsons, and the Flying Burrito Brothers.
The next thing I did was to buy the Johnny Rogan Byrds biography. Henry had been talking about it. It was the only complete Byrds biography written. I found it at the Book Soup book store on Sunset Strip right across the street from Tower Records. Henry and I considered it our manual on how to live a Byrdsian lifestyle.
I met Henry in February 2000 and in March South by Southwest music festival raged in Austin, Texas. We found out that Roger was playing at the Cactus Lounge on the University of Texas Campus. We felt it was a good excuse for a road trip.
Before we left, Henry and I made a trip down to the Rickenbacker factory in Santa Ana. At Rickenbacker, we both waited in the reception area. Shortly after, John Hall, the CEO, came out and I was introduced.
Henry told me stories of John Hall and the Beatles. John Hall had been to the Beatles’ Hollywood Bowl show in 1965 as a teenager and had met all the Beatles and the Byrds. John Lennon and George Harrison both played guitars that were given to them by Rickenbacker and Crosby and then Jim McGuinn would run down to S.A. for Rick customizations . Needless to say, Rickenbacker has had great influence on Rock & Roll. Henry’s father worked with Rickenbacker in designing a custom signature 12-String guitar with an on board compressor. What resulted was the wood colored (Maple Glo) Rickenbacker 370 Model. Henry is totally proud of his father.
While Henry talked with John in his office, I sat down and looked at magazines. We were there for Henry to interview for a job with Rickenbacker. I sat and waited for fifteen minutes and then Henry returned, full of hope for the future. We said our good byes to John Hall and Henry told John that he would get back in touch after our trip to Austin.
I felt on the in-crowd a bit. Rickenbacker had worked with all sorts of artists: REM, Tom Petty, Susana Hoffs, Carl Wilson, etc. I have a Rickenbacker FG 330 from those days. Henry on the 325Byrd and me on the 330 is some of the best noise ever! All the best bands play Rickenbacker.
Hope you enjoyed the read.
Henry and I put up a website for our band the Ragas. You can check it out at:
I am putting in a bit of my history. It’s been about five years since I was living in Los Angeles. Today, I can only think that I am really fortunate to have experienced, firsthand, the 1960’s music revival in its re-birth. The following is the letter Henry and I used when contacting clubs.
May 24, 2000
West Hollywood, CA 90046
The Ragas duo was formed in mid-March 2000 after discovering a major musical chemistry between us. I moved to Los Angeles from Texas to pursue my musical passion. Henry was born here in L.A. Henry is the son of 60’s icon, Roger McGuinn of the Byrds.
We are influenced by the Beatles, the Byrds, Bob Dylan, the Flying Burrito Brothers, Gram Parsons and incorporate 12-String guitars, and vocal harmonies in our songs. We play both cover songs and original songs. We focus on musicianship rather than cool grooves or beats. The old school sounds are what we are focused on. Our songs range from jazz rock, country- rock, folk-rock, psychedelic, and raga-rock to name a few.
At present, we are searching for a bassist and drummer to complete our band. In mid-June, we will have two English fellows visit us to most likely join the band. We switch off with lead guitar.
We are so excited to be involved in the music scene in Los Angeles. We can be reached at 323-###-#### and at our address in Hollywood, California.
Please find our demo tape included.
Thanks For Your Consideration,
Jim Guittard and Henry McGuinn
Here’s one of our setlists that I scanned.
We did not play too many shows back then but we sure went to see a lot of shows by the Beachwood Sparks, the Brian Jonestown Massacre, the Quarter After, Sunstorm, smallstone, the Tyde, the Belle Isle, Whiskey Biscuit, the Snakes, and the Warlocks. Many of these bands are still around today.
Smallstone evolved into the Electromagnetic led by James Ambrose. The Belle Isle disbanded and Cliff Magreta now leads Minutes Til Midnight. Beachwood Sparks unofficially disbanded in 2003 and other groups were formed in its wake such as All Night Radio with sometimes BWS drummer Jimi Hey and BWS lap steel and organist Farmer Dave. Mystic Chords of Memory was formed by BWS leader Chris Gunst and Frausdots was BWS bassist Brent Rademaker’s. Brent continued to play in the Tyde with his brother Darren.
I am hopeful in seeing the Beachwood Sparks get back together. We’ll see.
You can listen to the show here: