2013 10 Jun

The Muffin Junkee episode 7 podcast.

The concept for the “Guittard Tapes” came over ten years after many of the songs were recorded. Some of the songs were actual early demos for songs for my “California Daze” album. Originally, the “Guittard Tapes” album was released in June 2012 and contained only sixteen songs. Since then I have uncovered many more songs that I consider as part of the Guittard Tapes period (1993-2003).

The cassette tapes that made up the Guittard Tapes were lost for ten years. In 2006, I had put all my belongings in several storage places in preparation to go to Bulgaria for the Peace Corps. In 2008, I returned to the States and was flopping on couches at various family members and I could not locate the tapes. I wasn’t sure where they were. I had my things in four different locations! In the spring of 2012, I was ecstatic when my dad called me to say that he had some of my stuff in his storage unit which he needed to downsize. My wife and I went to Dallas and sure enough there were the Guittard Tapes in one of my storage boxes.

It was in 1993 that my songwriting and recording began on the newly bought Tascam 4-Track machine I acquired. Instead of playing video games and zonking out on pizza, I began recording and being creative. During my college days at Western State College of Colorado, I recorded a lot of cover songs. I consider these as part of the Guittard Tapes as well but have chosen to release them separately and unofficially because they are cover songs.

In Gunnison, I began recording Tom Petty, the Beatles, Led Zeppelin, the Doors, and Nirvana. The Guittard Tapes are a look at my early writing. One of the earliest songs I wrote is called “But Not Right Now.”

It was about living in the college dorm and having to put up with rude behavior of potluck roommates. There are also some songs that I did with friends of mine where a guy named Clayton Coates who is a pastor now did the singing: A-Listen, Clayton Blues, and Gotta Get Out of this Place.


The songs were recorded in Dallas, Wichita Falls, and Huntsville, Texas, Gunnison, Colorado, and Hollywood, California. Looking back on it, I wanted to call it the Guittard Tapes because it is a nod at the infamous “Nixon Tapes.” I was born during the Nixon Administration and believe that Nixon was a gadget guy. He liked to document everything in his life and it turned out that the tapes became his downfall but in my case the tapes, to me, are my upswing. I believe the Guittard Tapes represent the initial seed of my dream. It even began before 1993 with my dad’s dictation machine and in 2013 the music holds up in its lo-fi honest way. Nixon would be proud!

I still hope to release more Guittard Tapes. The time period is significant in that the tragedy of September 11th occurred at that time. It was so innocent and optimistic before 9-11 and after became more cynical and pessimistic. However, the tapes are a slice of time and the music is available for everyone to listen and download. The process of extracting the music from the tapes to MP3 format was quite complicating.

Transferring process:
What I had to do was record each track separately from the old tapes on the old Tascam 4-Track machine to my new digital 4-track machine by lining in a guitar cord from the old tape 4-Track to the new one. Each track was done one at a time. The tricky part is the starting point for the individual tracks in a song may not always line up to the other tracks of the song. Also, the second track on the cassette 4track machine didn’t sound. So I had to flip the tape over and then the second track could be heard but backwards in the 3rd track spot.

After transferring all the tracks of a song to the digital another challenge is that the speed of the old 4-Track is at a different speed than the digital. So basically what you hear on the digital sounds like chipmunks. To fix this, I had to dump the tracks from the digital 4-Track to my laptop which has Adobe Audition 3. There, I was able to fix the second track. I would reverse it back to how it should be. And then I had to slow down the digital tracks so that it would sound “normal” speed.

Some of the tracks are still a bit out of rhythm because I was doing it mainly by ear when mixing it on the laptop. Some of the songs had a count off for a guide but many of the songs did not. Many times the count off sound bled into the other tracks and that helped me to make sure everything was lined up as good as possible.

It was quite a process. I even did some math to figure out how much time to cut. I looked for a certain lyric I sang in the song and marked the timing notation of the editing software and lined things up with that number. It was not exact but that’s what I did. I’m sure there would be more exact ways.

Bob and Jim Guittard UT Austin – May 2001

Bob's Graduation 2001 Austin Texas

Gotta Get Out of Here
Waiting Around this hard ol’ town.                                                                                                                                                                                                Gotta get outta here.                                                                                                                                                                                                                                 The freaks and the bums all being dumb.
Gotta get outta here.                                                                                                                                                                                                                            Hearing the sound in the corner lounge.                                                                                                                                                                                           Gotta get outta here.                                                                                                                                                                                                                            Seeing an Elvis walk on by.
Gotta get outta here.
Saw a girl walk on by.                                                                                                                                                                                                                                I think I’ll stay for a while.
Repeat all 1X

Story behind:
In 2001, I wrote the lyrics for this one while sitting in the lobby of the Hollywood Roosevelt Hotel. The hotel is known for being the place where the first Academy Awards took place in 1929. It was just down the street from where I lived while I was attending the Musicians Institute.

At that time, I was getting a bit weary of the Hollywood scene. The music school had turned out to be disappointing and Hollyweird was taking its toll on me. I wanted to move to a different location because of a home invasion robbery and because it seemed that freaks and tourists were everywhere along Hollywood Blvd.

One time while waiting at Hollywood and Highland, a complete stranger asked me if I wanted some hash. I noticed quickly that there was a guy dressed up as Elvis standing close by and told the drug pusher pointing to Elvis that I didn’t want any hash but that Elvis might. The “Elvis” impersonator quickly told the drug pusher that he didn’t feel called to smoke hash. For this song, my writing method was to sit and observe. In the song, I make reference to this “Elvis” that I had seen around. There was a lounge at the Hollywood Roosevelt named the Cinegrill. It was where Gene Clark (the Byrds’ tambourine man) last performed in April 1991 before his death about a month later. (When I first got to Hollywood, my mother took a photo of me under the Cinegrill sign. I hadn’t learned about Gene Clark performing there yet.)

Recording: It was recorded after the move to a new apartment in the Los Feliz area of Los Angeles on a Tascam 4-Track machine. I played a 12-String acoustic guitar with and without a capo, drums, and did the singing.

Hollywood Roosevelt Hotel (Cinegrill) 1999 – Hollywood Boulevard

Jim Cine Grill

Tired (Acoustic/Psychedelic Version)
Tired of being sad
Tired of being mad
I do the right thing
But I can’t feel my wings and fly.

Tired of being sad
Tired of being mad
I do the right thing
But I can’t feel my wings and fly.

Chorus
When will I do what You want?
When will I stop having to pretend?
I hate feeling bad.
I want to feel the way I did
As a kid.

Tired of feeling bad
Tired of feeling mad

Story behind:
Both of the versions were recorded in 2001 about the same time in Los Angeles on my 4-Track Tascam machine. At the time, I often experimented with sounds by using my BOSS Digital Delay pedal as a tool to create or inspire me. The Psychedelic Version of Tired is pretty experimental. I hooked up the pedal to an electric keyboard and got some interesting sounds. I had been turned onto Roland’s Vintage Space Echo machine. I was trying to get that kind of sound with my digital delay pedal.

The tune had a kind of weary feel to it. I was just tired of “twisting in the wind.” The phrase came to me as my brother called me once to get a status update on my goings on in California after he had returned to Texas earlier that year. I was digging my heels firmly trying to prove that I could make it in California. I was waiting on the right thing to happen but was getting mad that it wasn’t happening. The song was also a kind of prayer.

Recording:
Psychedelic Version – Acoustic guitar, keyboards, and singing.
Acoustic Version – Acoustic guitar and Singing.

Getting There Is Not Easy
Just wanna be right.
Just wanna be fine.
Something’ll come in time.
Getting there is not easy.
Getting there is not easy

Just wanna move weight.
Just wanna stand straight.
Something’ll give to flight.
Getting there is not easy.
Getting there is not so easy.

Just wanna break through.
Just wanna be free.
Something’ll give to might.
Getting there is not so easy.
Getting there is not so easy.

Just wanna be real.
Just wanna have sight.
Something will show real bright.
Getting there is not so easy.
Getting there is not so easy.

Just wanna be right.
Just wanna be fine.
Something’ll come in time.
Getting there is not so easy.
Getting there is not so easy.

Just wanna move weight.
Just wanna stand straight.
Something will give to flight.
Getting there is not so easy.

Story behind:
It was recorded in January 2002 with a Byrds influence. The song is similar in spirit with “Gotta Get Out of Here.” It speaks about my love-hate relationship with Los Angeles and the disillusionment about the current situation but the lyrics are still hopeful. I still felt as if I was “twisting in the wind” and was hoping that I could make it in California financially. I had worked at a rental car company to make ends meet and was not seeing the fruit of my labor but I felt I was “paying my dues.” I was in it for the long run and not hoping for a quick fix. A heavy burden was on my shoulders that I succeed and prove different family members that I could do it. I remember having different dreams at night about being in a fog, clouds, or basically just trying to find my way. It was as if I was Moses trying to find my way out of the desert.

Recording:
I played the acoustic 12-string guitar and sang.

Jingle Jangle Instrumental

Story behind:
Jingle Jangle Instrumental is one that I’m particularly proud from the Guittard Tapes. It was recorded in my Hollywood apartment in 2000 on my Tascam 4-Track machine. I was heavily listening to the Byrds in that period. The song that I was going for was “Here Without You” on the Byrds’ Mr. Tambourine album.

My recording is quite lo-fi, a bit jazzy. I used a phaser pedal to get the psychedelic effect.

Recording:

I played the drums, Rickenbacker, acoustic guitar, and bass.

Walkie-Talkie Experiment

Story behind:
This tune was recorded probably in 2000 in Hollywood. I was into gadgets at the time having just purchased a couple of walkie-talkies that Roger McGuinn had recommended on his website. Henry McGuinn and I were listening to the Byrds’ song called “2-4-2 Fox Trot (The Lear Jet Song)” off the 5D album.

It contained a bit of gadget sounds. The sound effects inspired us and in the recording of Walkie-Talkie Experiment I was trying to emulate the experimentalism I was hearing in the Byrds. Henry and I had talked about using gadgets as part of our music and so I gave it a shot.

For the song, the lyrics were completely improvised. I set up one microphone in front of one of the walkie-talkies and then I hit the record button on the 4-track machine.

The bass line was me trying to do a lively Beachwood Sparks type thing. During those days, I tried not to miss any of the Beachwood Sparks shows if they were playing in Los Angeles.

Recording:
I played the 12-String Rickenbacker, bass guitar, drums, and sang or talked.

Ordinary Guy
I’m just an ordinary guy.
Why don’t you give me a try?
Waiting for you to come around.

Chorus
Just come to me now.
I’m just an hour away.
Just come on down to me.
I’m just an hour away.

Verse
As the sun comes up.
As the sun goes down.
I can feel you getting closer to me.
You know I want ya baby. You know it.

Chorus
Just come on down to me now.
I’m just an hour away.
Get on down here, man, babe.
You can see that I’m waiting here.

Verse
I’m just an ordinary guy.
Why don’t you give me a try?
With your cute little smile
On your cute little face.
I’d love to see ya now, babe.

Chorus
Just come on down to me now.
I’m just an hour away.
Just come on down to me.
I’ll be waiting for you.
I’m just an ordinary guy.

Story behind:
I wrote Ordinary Guy in early 2000 while sitting at the Stir Crazy Coffee Shop on Melrose Avenue in Hollywood. I had been waiting there to meet a musical acquaintance but she didn’t show up and so I was blowing off steam with writing the lyrics. Ordinary Guy was one of my first songs to write lyrics. For nine months, I had been hanging around Hollywood and nothing was panning out. I just wanted a chance and that was the sentiment in the song. It was humble I guess.

I started a duo with Henry McGuinn called the Ragas shortly thereafter. I brought my song “Ordinary Guy” out as a possible tune that the Ragas could play but Henry passed on it. It wasn’t the high quality lyrics that we needed. Henry was into songs about the beach and more groovy nature type songs. My song “Ordinary Guy” was my attempt at being real. The Ragas recorded “Ordinary Guy” but as an instrumental.

Recording:
I played the Fender Telecaster B-Bender, 12 String acoustic, sang the lead and background vocals. Vladimir Maskoff played the electric bass. It was recorded on my 4 Track Tascam machine by Brian McKay in North Hollywood.

Tremolo Instrumental
Story behind:
I recorded this on probably in late 2001 or sometime in 2002. It was my attempt at possibly shoegaze. I might have been listening to the Brian Jonestown Massacre Methodrone album.

I used a tremolo pedal. Not much else to say about it. It’s cool.

Recording:
I played drums and electric guitar.

The track in the lost interview is an experimental track called Loony also from the Guittard Tapes.

Here’s where you can find additional podcasts for the Muffin Junkee Show
Jim Guittard
Southwestern Baptist Theological Seminary
Fort Worth, Texas June 2013

Published under Musicsend this post
2013 2 May

Covers by Jim Guittard and Friends

I’m releasing these songs because I thought, “why not?”

The time period the songs were recorded is from 1994-2002 and in various cities: Dallas, Los Angeles, Austin, and Gunnison (Colorado).

It was in college in Gunnison, Colorado at Western State College that I started recording music on my Tascam 4-Track machine. In 1993, at that point, I hadn’t really started to write any of my own songs. Initially, I would make up different lyrics to songs I knew. I had read that that was what John Lennon did when he started out. He had some gig with the Quarrymen at a church and didn’t have any songs of his own so he improvised words to the Del Vikings “Come Go With Me.”

The tunes for my covers album are:

01. Captain Soul – (The original tune is an instrumental on the Byrds 5D album.)

Personnel:  Jim Guittard – Lead and rhythm guitar, drums, bass, and hand claps.  Recorded in Los Angeles around 2001.

02. Cars Hiss By My Window – (The original is a Doors song off L.A. Woman album complete with scat singing ala Morrison style.)

Personnel:  Jim Guittard – Vocals, lead and rhythm guitars.  Recorded in Gunnison, Colorado around 1994.

03. Eight Miles High – (The original is a Byrds tune off the 5D album again. It does not have the Coltrane type 12-string lead Rickenbacker.)

Personnel:  Jim Guittard – Lead and background vocals, and guitars.  Recorded in Los Angeles around 2001-2.

04. Get Back – (Beatles tune on the “Let It Be” album.)

Personnel:  Jim Guittard – Vocals, lead and rhythm guitar.  Recorded in Dallas or Gunnison, Colorado around 1994.

05. Hare Krshna Mantra – (This is an obscure George Harrison tune that he did with the Hare Krishnas for an album.

Personnel:  Jim Guittard – Vocals, keyboard, acoustic guitar, and percussion.  Recorded in Dallas around 1997 or so.

06. Inner Light – (This originally was a George Harrison tune B-side to Lady Madonna.)

Personnel:  Jim Guittard – Lead and background vocals, lead guitar, drone keyboard.  Recorded in Dallas, Texas around 1997.

07. Mr. Tambourine Man – (Originally this was a Bob Dylan tune but Henry McGuinn and I did it in our duo the Ragas. We did it more like the Byrds version.)

Personnel: Henry McGuinn – Lead Vocals and lead acoustic guitar; Jim Guittard – Background vocals and acoustic rhythm guitar.  It was recorded in 2000 in Los Angeles.

08. You Ain’t Going Nowhere – (This was originally a Bob Dylan tune which was on the Basement Tapes sessions with the Band but here is the Ragas covering it based up the Byrds cover off the Sweetheart of the Rodeo album.)

Personnel: Henry McGuinn – Lead Vocals and lead acoustic guitar; Jim Guittard – Background vocals and acoustic rhythm guitar.  It was recorded in 2000 in Los Angeles.

09. No Reply – (This was based off the Beatles tune on the Beatles for Sale/Beatles ’65 albums.)

Personnel:  Jim Guittard – Vocals: lead and background, two rhythm guitars.  It was recorded in Gunnison, Colorado.

10 Norwegian Wood (This Bird Has Flown) – (Here the song is based off the Beatles original from the Rubber Soul album.)

Personnel:  Jim Guittard – Vocals:  lead and background, rhythm guitar, and sitar.  Song was recorded in Dallas, Texas around 1997.

11. Sun King – (The original is from the Beatles Abbey Road album.)

Personnel:  Jim Guittard – Vocals:  lead and background, lead and rhythm guitars.  It was recorded in Gunnison, Colorado in 1994.

12. Thoughts and Words – (This original is a Chris Hillman psychedelic tune from the Byrds’ album Younger Than Yesterday.)

Personnel:  Jim Guittard – Vocals:  lead and background, lead and rhythm guitars.  It was recorded in Los Angeles in 2001.

13. Ticket To Ride – (The Original is from the Beatles Help! album.)

Personnel:  Bob Guittard – Lead Vocals, lead guitar.  Graham Cathy – Drums.  Jim Guittard – background vocals, rhythm guitar, and bass.  Song was recorded in Dallas in 1995.

14. Eight Miles High – (This is the Ragas version of the Byrds original from the 5D album.)

Personnel: Henry McGuinn – Lead Vocals and lead acoustic guitar; Jim Guittard – Background vocals and acoustic rhythm guitar.  It was recorded in 2000 in Los Angeles.

15. Norwegian Wood (This Byrd Has Flown) – (The Ragas version of the Beatles tune.)

Personnel: Henry McGuinn – Lead Vocals and lead acoustic guitar; Jim Guittard – Background vocals, acoustic rhythm guitar, and percussion.  It was recorded in 2000 in Dallas, Texas.

16. Nobody’s Fault But My Own – (The original is a Beck tune off his 1999 album Mutations. The cover version was sent as a demo take for Jim to enter the Musicians Institute music school in Los Angeles,)

Personnel:  Jim Guittard – Vocals:  lead and background, sitar, and 12-string acoustic guitar.  Song was recorded in Dallas, Texas in 1999.

17. Frances Farmer Will Have Her Revenge on Seattle – (This original is a Nirvana tune off the In Utero album.)

Personnel:  Jim Guittard – Vocals, lead and rhythm guitars, wah pedal and effects.  The cover version was recorded in Gunnison, Colorado in the dorms at Western State College.

Published under Musicsend this post
2012 23 Nov

The following songs were recorded mostly in Pasadena, California from 2010 – early 2012 on my Tascam 8-track machine.

 Tracks

1 2:14 122 listens
2 3:06 93 listens
3 2:25 82 listens
4 4:56 89 listens
5 4:32 98 listens
6 2:24 82 listens
7 3:03 112 listens
8 4:00 99 listens
9 2:10 118 listens
10 2:37 117 listens
Published under Musicsend this post
2012 26 Aug

This group of songs collected dust for almost a decade. In 2012, I resurrected and mixed the songs from the misplaced 4-Track Tapes I had in storage boxes in Dallas, Texas since 2006 when I went into the Peace Corps in Bulgaria.

The tunes were all recorded in Los Angeles, California during the period 1999-2003.  At that time, I was working on songs for my California Daze album. The songs I include on the Guittard Tapes were never released until now. You will find some alternate takes or early versions for a few California Daze songs: Beach and Jazz Tune.

Back then I was listening to the Byrds quite heavily and therefore many of the tunes are intentionally jangly with Rickenbacker sounds. I played the drums, bass, and even a sitar on the first track which was recorded 3 Weeks After 9-11. Other instruments I played were a 12 String Guild acoustic guitar, Fender Telecaster B-Bender, Dr. Groove Drum Machine, and various keyboards and percussion.

Notice also that there is a song called Election 2000 which is about the Bush/Gore Election.

Here is the track list:
1. 3 Weeks After 03:36
2. Aliens 03:57
3. Ordinary Guy 03:44
4. Getting There Is Not So Easy 03:15
5. Jingle Jangle Instrumental 02:44
6. Batman 02:12
7. Jazz Tune 2000 Demo 02:30
8. Beach Original 02:06
9. Station 03:02
10. Election 2000 02:00
11. Jangly Instrumental 04:09
12. Psychedelic Consciousness 03:13
13. Walkie-Talkie Experiment 02:59
14. Are You Up Instrumental 02:48
15. More Jangle 02:21
16. Tremolo Instrumental 01:20

The sheet music for Jazz Tune (track #7) that I wrote while attending the Musicians Institute during this period.

It’s DIY project. Enjoy!

Jim Guittard

Published under Musicsend this post
2011 17 Sep

Movin’ by Jim Guittard and Donnie Bugden by More Jim Guittard

Movin’ (Vocals) by More Jim Guittard

Collaborated with donnie bugden

Where are you going today?
Will you always stay in the same spot?
Or will you get up and go away?
It is all okay.
We’ve been here before.
They want us to be afraid.
But it’s not gonna keep us down.
Get up from your desk.
You’ve spent too much time there.
You wasting away.
Make something happen.
Create. Be the change you want to see.
The skies will part
and the clouds will go away.
There’s something okay and beautiful to see everyday.
Burn down the past. Go On.
We know there are other people waiting to get up.
Just Go.

Words By Jim Guittard
Music by Donnie Bugden
2011

Jim Guittard: Vocals, Electric Guitar, Keyboard
Donnie Bugden: Electric Guitars

Published under Musicsend this post
2011 6 Sep

War Is Fun by More Jim Guittard

Go to Iraq, that’s where the money’s at.
Be about that – Do it stat.
You know that’s where you wanna be.

They’ve got games and fun over there; you just wait and see.
It’s like a carnival fare.
Do it, I dare.

You’ll be earning money hand over fist.
Just go ahead and enlist.
Go by faith, don’t worry about all the guns.
Don’t worry about all of the guns.

Chorus

War is fun in the desert.
They’ve got a party going on over there
In the desert.
War is fun in the desert.
So get on over there.

Count your money day by day.
Store it up and don’t forget to pray.
You’re doing good conquering all the land.
And you’re making many a grand.

Keep firing on all of the people.
They’re only poor but you’ve got the power.

Go to Iraq, that’s where the money’s at.
Be about that – do it stat.
You know that’s where you wanna be.
It’s fun there you know.

Chorus

War is fun in the desert.
There’s a party going on over there
Shoot everything that moves in the desert.
and don’t forget to get those people praying at the Mosque.

War is hell and it’s stupid.
Why are we there after ten whole years?

Enough is enough.
Get out of Iraq.
Enough is enough.
Get out of Iraq. Peace Corps.

Obama got his Nobel Peace Prize
and what has he done about it?
Wars are going on forever.
He said he would get out of Iraq
and Afghanistan, and Pakistan and all the other “Stans”.

Chorus

War is fun in the desert.
There’s a big party going on over there
In the desert.
Shoot everything that moves in the desert.
You are getting a lot of money in the desert.
It’s all worth it. You now it’s all worth it, in the desert.

Can’t make any money doing good.
All you can make money is from killing people in the desert.
That’s where it’s at.

Words and Music by Jim Guittard 2011

Let’s end the stupid wars. Pass this song on!

Published under Lifesend this post
2010 13 Nov

Flat People

Published under Musicsend this post
2010 29 Apr

I’ve got to figure out which are my strongest 20 songs. I’m submitting it for some project and want to get your input.

Let me know which songs you enjoy the most or think is unique high quality interesting or whatever.  You can list 5 or so so that it is not so overwhelming.

The albums are:

96/98 (1996 – 1998)
Busted In Bulgaria (2008)
The Notorious G.I.D.D. (2005)
California Daze (2002)

They can be heard here:

http://www.jamendo.com/en/..artist/Jim_Guittard

The newer stuff can be heard here:
http://www.facebook.com/pages/Jim-Guittard/33600816077

or

http://www.reverbnation.com/jimguittard

Thanks for your help.

JG

Published under Musicsend this post
2010 3 Apr

I wrote the music and first verse while living in Hollywood, California in 2001 or 2002. The rest of the lyrics was written by Dominic Campanella who plays with the Quarter After.

http://www.myspace.com/thequarterafter

Filmed on location in Cannon Beach, Oregon.
Cinematography by Cory Wirtz
Edited by Jim Guittard
2010

Beach

I look up into the sky
See the clouds and colours all around.
I hear the waves go in and out
See the birds and stars tonight.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

I tell myself the reason why.
Waters flow and there’s no turning back.
Reaching for the horizon line,
Where it ends has only just begun.

Chorus

Going with the rising tide.
Shouldn’t wait till morning time.
Moments pass as I decide.
Shouldn’t wait till morning time.

Drifting through my open mind,
Ray of light about to shine.

Download my album “California Daze” that the song is on for free at:
http://www.jamendo.com/en/artist/Jim_Guittard

Published under Musicsend this post
2010 20 Feb

Here’s my latest song I wrote and recorded last night. Enjoy!

World’s Angriest Hippie

You’re really a bit mad
You’re not a fad.
Not even bad.
Maybe just sad.

You keep us in line.
And doing fine.
We’re all mad too.
We’re all a little bit blue.

Chorus

The world’s angriest hippie
Turning all our heads around.
Pushing all the buttons.

Instrumental break

Chorus

The world’s angriest hippie
Turning all our heads around.
Pushing all the buttons.

You’re getting Understood.
It must feel good.
You’re music is the weapon.
Falling down from the internet zeppelin.

Keep your ideas flowing.
Your planted seeds are growin
The truth is your friend.
And it’s blowing in the wind.

Chorus

The world’s angriest hippie
Turning all our heads around.
Pushing all the buttons.

You’re just a bit mad
And not a fad
We’re sad.

Words and Music by Jim Guittard 2010

Download for free here:  http://www.archive.org/details/WorldsAngriestHippie

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