2015 29 Dec

The idea of this album came from working with Jay Daniels on the Muffin Junkee Serves Tunes with your Tea Podcast. I have to give Jay most of the credit. We had been talking about live albums as a way to get my listeners to be aware of my diverse music catalogue. In our conversations, Jay turned me onto a rare Syd Barrett live album. It was the one recorded by the legendary John Peel in February of 1970. The album is stripped down with minimal instrumentation and vocals. This is the kind of vibe that I was going for on Jays show. On the particular podcast, I recorded a live set which turned out to be the live album. Jay was interviewing a guest named “Ms Pipa Stafford Shelby” who happened to be the head spokeswoman for the Global Alliance for Muffins, Biscuits, and Crumpets. Ms. Shelby began to trash Jay and I did not like that and so it was that I burst into his studio punk style to have a few words with this crotchety snob of a lady who was pushing Jay around and telling him that he should shave and get a haircut.

The songs for the live album have tracks from my albums Busted in Bulgaria, Forward, California Daze, Rise, the Guittard Tapes Vol. 2, and also several tunes that have not been released on any albums thus far. I think you will enjoy the album. I am proud of it! Thanks Jay!

You can hear the podcast I did with Jay here entitled: muffin-junkee-18-jim-guittard-takes-over-the-studio-for-a-live-set

And here is the Syd Barrett album that Jay and I had in mind when planning the podcast:

jg live3

Published under Good Musicsend this post
2015 27 Jul

Billy Mack, a folk artist friend of mine based in Allentown, Pennsylvania has come up with a couple of projects that I have taken part.  The latest project revolves around putting out a compilation of songs all relating to coffee.  Mr. Mack is putting together a coffee art house to open in September in Allentown, PA called Coffee House Without Limits which aims to serve as an art gallery, all ages music venue, and community space.

Billy Mack performs around the country on a low budget using Greyhound buses or whatever it happens to be to get from place to place.  He has quite an underground following and it is this community of similarly thinking do it yourselfers that he called upon for the coffee compilation.

I wrote a song simply titled “Coffee”.

coffee lyrics

A little video I made for my song:

Billy’s Coffee compilation can be listened and bought here: (I’m song 20).

Published under Good Musicsend this post
2015 7 Mar

Lately, I’ve found quite a few unlabeled cassette tapes that I’m thinking would be great for a third addition for the Guittard Tapes. It’ll be a trilogy now! The tunes have been heavy with pedals including digital delay, distortion, and phaser. I was wowed when I heard the tunes. The challenge as always is to get them transferred from the tapes to the digital tascam machine and then finally to the laptop where I can mix it down. Part of the challenge is that the originally Tascam machine that I recorded the songs has a defective second track. I cannot hear anything while listening. So I have to flip the tape over and record the track now from the third track which now plays backwards. So, once on the computer I have to reverse the track back to normal and then line up all the tracks in sequence so that it sounds in time. There’s no click track so I have to look and listening for anything hiss, click, or whatever.

So here are a few stand out tracks thus far:
Phaser Attack – Most dominant effect is the phaser pedal with trippy distortion, screaming Rickenbacker and drum machine.  Great!

Feedback Rock – Most dominant here is the out of control digital delay pedal with tremolo pedal and chaotic Rickenbacker.  I guess it was a few months before 9-11 when a lot of bad vibes were swirling about.

Vacuum B-Bender – This is an interest piece in that I used a vacuum cleaner hose in front of the amplifier to trick up the sound.  I remember my friend Jolie visiting me and seeing this vacuum hose next to my recording gear and tripping out! Well, here’s the song.  It has my B-Bender on it.

Get It Together Man – This one’s really weird.  The dominant sound track is an actual guy in Hollywood having a melt down outside my apartment banging a shovel on the ground and screaming.  Imagine that! The music is quite chaotic and is a picture of my life back in 2001.  Things were not perfect in all areas but I was still persevering with my music.  The main influence was Beck and his Stereopathetic Soulmanure album.

1989 Highlander Band

Published under Lifesend this post
2013 9 Nov

A few weeks ago, I compiled together more songs from my lost “Guittard Tapes.”  I hadn’t had much time to go through the tapes but I did manage to find some songs and I have finally put together the second volume of the Guittard Tapes.  The tracks all come from a very productive period  of mine from 1999-2003 when I was living in Los Angeles.  If you like lo-fi do-it-yourself tunes, you’ll dig these on Volume 2 of the Guittard Tapes.

There are 12 new tracks which are as following:

  1. Girl’s On Crack                                                           2:22       
  2. Instrumental                                                                2:00
  3. Blues Instrumental                                                      1:12
  4. Tired (Experimental version)                                      1:32       
  5. Sleepless Night                                                           4:47       
  6. Paxil Withdrawal                                                        3:12
  7. Can’t Be Down That Very Long 2002 Demo             2:54
  8. Spacey Synth Instrumental                                         2:53       
  9. Jazzy Tune                                                                  3:16
  10. Tired – Acoustic Version                                             2:31       
  11. Airy Jangly Instrumental                                            1:48
  12. Gotta Get Out of Here                                                 2:49

Back in June, Jay Daniels, the host of the Muffin Junkee lo-fi Psychedelic podcast, featured me and the Guittard Tapes on an hour-long show broadcasting from British Columbia.  Since June, I have compiled the music for the Guittard Tapes Volume II.  The tunes were unreleased until this year and were just sitting in storage until early this year when my dad called me and said I had some things in his storage unit.  And how pleased I was to find the tapes!!!

The Guittard Tapes Volume II

* Track 7 was released on the California Daze album.

The Guittard Tapes Volume I

* Tracks 7 and 8 were released on the California Daze album.

Jim and Regi MI 2000

Myself with my Rickenbacker and fellow Musicians Institute student Regi – 2000.

can't be down that very lock

 

 

 

 

 

 

 

 

 

Can’t Be Down That Very Long

Published under Good Musicsend this post
2013 10 Jun

The Muffin Junkee episode 7 podcast.

The concept for the “Guittard Tapes” came over ten years after many of the songs were recorded. Some of the songs were actual early demos for songs for my “California Daze” album. Originally, the “Guittard Tapes” album was released in June 2012 and contained only sixteen songs. Since then I have uncovered many more songs that I consider as part of the Guittard Tapes period (1993-2003).

The cassette tapes that made up the Guittard Tapes were lost for ten years. In 2006, I had put all my belongings in several storage places in preparation to go to Bulgaria for the Peace Corps. In 2008, I returned to the States and was flopping on couches at various family members and I could not locate the tapes. I wasn’t sure where they were. I had my things in four different locations! In the spring of 2012, I was ecstatic when my dad called me to say that he had some of my stuff in his storage unit which he needed to downsize. My wife and I went to Dallas and sure enough there were the Guittard Tapes in one of my storage boxes.

It was in 1993 that my songwriting and recording began on the newly bought Tascam 4-Track machine I acquired. Instead of playing video games and zonking out on pizza, I began recording and being creative. During my college days at Western State College of Colorado, I recorded a lot of cover songs. I consider these as part of the Guittard Tapes as well but have chosen to release them separately and unofficially because they are cover songs.

In Gunnison, I began recording Tom Petty, the Beatles, Led Zeppelin, the Doors, and Nirvana. The Guittard Tapes are a look at my early writing. One of the earliest songs I wrote is called “But Not Right Now.”

It was about living in the college dorm and having to put up with rude behavior of potluck roommates. There are also some songs that I did with friends of mine where a guy named Clayton Coates who is a pastor now did the singing: A-Listen, Clayton Blues, and Gotta Get Out of this Place.


The songs were recorded in Dallas, Wichita Falls, and Huntsville, Texas, Gunnison, Colorado, and Hollywood, California. Looking back on it, I wanted to call it the Guittard Tapes because it is a nod at the infamous “Nixon Tapes.” I was born during the Nixon Administration and believe that Nixon was a gadget guy. He liked to document everything in his life and it turned out that the tapes became his downfall but in my case the tapes, to me, are my upswing. I believe the Guittard Tapes represent the initial seed of my dream. It even began before 1993 with my dad’s dictation machine and in 2013 the music holds up in its lo-fi honest way. Nixon would be proud!

I still hope to release more Guittard Tapes. The time period is significant in that the tragedy of September 11th occurred at that time. It was so innocent and optimistic before 9-11 and after became more cynical and pessimistic. However, the tapes are a slice of time and the music is available for everyone to listen and download. The process of extracting the music from the tapes to MP3 format was quite complicating.

Transferring process:
What I had to do was record each track separately from the old tapes on the old Tascam 4-Track machine to my new digital 4-track machine by lining in a guitar cord from the old tape 4-Track to the new one. Each track was done one at a time. The tricky part is the starting point for the individual tracks in a song may not always line up to the other tracks of the song. Also, the second track on the cassette 4track machine didn’t sound. So I had to flip the tape over and then the second track could be heard but backwards in the 3rd track spot.

After transferring all the tracks of a song to the digital another challenge is that the speed of the old 4-Track is at a different speed than the digital. So basically what you hear on the digital sounds like chipmunks. To fix this, I had to dump the tracks from the digital 4-Track to my laptop which has Adobe Audition 3. There, I was able to fix the second track. I would reverse it back to how it should be. And then I had to slow down the digital tracks so that it would sound “normal” speed.

Some of the tracks are still a bit out of rhythm because I was doing it mainly by ear when mixing it on the laptop. Some of the songs had a count off for a guide but many of the songs did not. Many times the count off sound bled into the other tracks and that helped me to make sure everything was lined up as good as possible.

It was quite a process. I even did some math to figure out how much time to cut. I looked for a certain lyric I sang in the song and marked the timing notation of the editing software and lined things up with that number. It was not exact but that’s what I did. I’m sure there would be more exact ways.

Bob and Jim Guittard UT Austin – May 2001

Bob's Graduation 2001 Austin Texas

Gotta Get Out of Here
Waiting Around this hard ol’ town.                                                                                                                                                                                                Gotta get outta here.                                                                                                                                                                                                                                 The freaks and the bums all being dumb.
Gotta get outta here.                                                                                                                                                                                                                            Hearing the sound in the corner lounge.                                                                                                                                                                                           Gotta get outta here.                                                                                                                                                                                                                            Seeing an Elvis walk on by.
Gotta get outta here.
Saw a girl walk on by.                                                                                                                                                                                                                                I think I’ll stay for a while.
Repeat all 1X

Story behind:
In 2001, I wrote the lyrics for this one while sitting in the lobby of the Hollywood Roosevelt Hotel. The hotel is known for being the place where the first Academy Awards took place in 1929. It was just down the street from where I lived while I was attending the Musicians Institute.

At that time, I was getting a bit weary of the Hollywood scene. The music school had turned out to be disappointing and Hollyweird was taking its toll on me. I wanted to move to a different location because of a home invasion robbery and because it seemed that freaks and tourists were everywhere along Hollywood Blvd.

One time while waiting at Hollywood and Highland, a complete stranger asked me if I wanted some hash. I noticed quickly that there was a guy dressed up as Elvis standing close by and told the drug pusher pointing to Elvis that I didn’t want any hash but that Elvis might. The “Elvis” impersonator quickly told the drug pusher that he didn’t feel called to smoke hash. For this song, my writing method was to sit and observe. In the song, I make reference to this “Elvis” that I had seen around. There was a lounge at the Hollywood Roosevelt named the Cinegrill. It was where Gene Clark (the Byrds’ tambourine man) last performed in April 1991 before his death about a month later. (When I first got to Hollywood, my mother took a photo of me under the Cinegrill sign. I hadn’t learned about Gene Clark performing there yet.)

Recording: It was recorded after the move to a new apartment in the Los Feliz area of Los Angeles on a Tascam 4-Track machine. I played a 12-String acoustic guitar with and without a capo, drums, and did the singing.

Hollywood Roosevelt Hotel (Cinegrill) 1999 – Hollywood Boulevard

Jim Cine Grill

Tired (Acoustic/Psychedelic Version)
Tired of being sad
Tired of being mad
I do the right thing
But I can’t feel my wings and fly.

Tired of being sad
Tired of being mad
I do the right thing
But I can’t feel my wings and fly.

Chorus
When will I do what You want?
When will I stop having to pretend?
I hate feeling bad.
I want to feel the way I did
As a kid.

Tired of feeling bad
Tired of feeling mad

Story behind:
Both of the versions were recorded in 2001 about the same time in Los Angeles on my 4-Track Tascam machine. At the time, I often experimented with sounds by using my BOSS Digital Delay pedal as a tool to create or inspire me. The Psychedelic Version of Tired is pretty experimental. I hooked up the pedal to an electric keyboard and got some interesting sounds. I had been turned onto Roland’s Vintage Space Echo machine. I was trying to get that kind of sound with my digital delay pedal.

The tune had a kind of weary feel to it. I was just tired of “twisting in the wind.” The phrase came to me as my brother called me once to get a status update on my goings on in California after he had returned to Texas earlier that year. I was digging my heels firmly trying to prove that I could make it in California. I was waiting on the right thing to happen but was getting mad that it wasn’t happening. The song was also a kind of prayer.

Recording:
Psychedelic Version – Acoustic guitar, keyboards, and singing.
Acoustic Version – Acoustic guitar and Singing.

Getting There Is Not Easy
Just wanna be right.
Just wanna be fine.
Something’ll come in time.
Getting there is not easy.
Getting there is not easy

Just wanna move weight.
Just wanna stand straight.
Something’ll give to flight.
Getting there is not easy.
Getting there is not so easy.

Just wanna break through.
Just wanna be free.
Something’ll give to might.
Getting there is not so easy.
Getting there is not so easy.

Just wanna be real.
Just wanna have sight.
Something will show real bright.
Getting there is not so easy.
Getting there is not so easy.

Just wanna be right.
Just wanna be fine.
Something’ll come in time.
Getting there is not so easy.
Getting there is not so easy.

Just wanna move weight.
Just wanna stand straight.
Something will give to flight.
Getting there is not so easy.

Story behind:
It was recorded in January 2002 with a Byrds influence. The song is similar in spirit with “Gotta Get Out of Here.” It speaks about my love-hate relationship with Los Angeles and the disillusionment about the current situation but the lyrics are still hopeful. I still felt as if I was “twisting in the wind” and was hoping that I could make it in California financially. I had worked at a rental car company to make ends meet and was not seeing the fruit of my labor but I felt I was “paying my dues.” I was in it for the long run and not hoping for a quick fix. A heavy burden was on my shoulders that I succeed and prove different family members that I could do it. I remember having different dreams at night about being in a fog, clouds, or basically just trying to find my way. It was as if I was Moses trying to find my way out of the desert.

Recording:
I played the acoustic 12-string guitar and sang.

Jingle Jangle Instrumental

Story behind:
Jingle Jangle Instrumental is one that I’m particularly proud from the Guittard Tapes. It was recorded in my Hollywood apartment in 2000 on my Tascam 4-Track machine. I was heavily listening to the Byrds in that period. The song that I was going for was “Here Without You” on the Byrds’ Mr. Tambourine album.

My recording is quite lo-fi, a bit jazzy. I used a phaser pedal to get the psychedelic effect.

Recording:

I played the drums, Rickenbacker, acoustic guitar, and bass.

Walkie-Talkie Experiment

Story behind:
This tune was recorded probably in 2000 in Hollywood. I was into gadgets at the time having just purchased a couple of walkie-talkies that Roger McGuinn had recommended on his website. Henry McGuinn and I were listening to the Byrds’ song called “2-4-2 Fox Trot (The Lear Jet Song)” off the 5D album.

It contained a bit of gadget sounds. The sound effects inspired us and in the recording of Walkie-Talkie Experiment I was trying to emulate the experimentalism I was hearing in the Byrds. Henry and I had talked about using gadgets as part of our music and so I gave it a shot.

For the song, the lyrics were completely improvised. I set up one microphone in front of one of the walkie-talkies and then I hit the record button on the 4-track machine.

The bass line was me trying to do a lively Beachwood Sparks type thing. During those days, I tried not to miss any of the Beachwood Sparks shows if they were playing in Los Angeles.

Recording:
I played the 12-String Rickenbacker, bass guitar, drums, and sang or talked.

Ordinary Guy
I’m just an ordinary guy.
Why don’t you give me a try?
Waiting for you to come around.

Chorus
Just come to me now.
I’m just an hour away.
Just come on down to me.
I’m just an hour away.

Verse
As the sun comes up.
As the sun goes down.
I can feel you getting closer to me.
You know I want ya baby. You know it.

Chorus
Just come on down to me now.
I’m just an hour away.
Get on down here, man, babe.
You can see that I’m waiting here.

Verse
I’m just an ordinary guy.
Why don’t you give me a try?
With your cute little smile
On your cute little face.
I’d love to see ya now, babe.

Chorus
Just come on down to me now.
I’m just an hour away.
Just come on down to me.
I’ll be waiting for you.
I’m just an ordinary guy.

Story behind:
I wrote Ordinary Guy in early 2000 while sitting at the Stir Crazy Coffee Shop on Melrose Avenue in Hollywood. I had been waiting there to meet a musical acquaintance but she didn’t show up and so I was blowing off steam with writing the lyrics. Ordinary Guy was one of my first songs to write lyrics. For nine months, I had been hanging around Hollywood and nothing was panning out. I just wanted a chance and that was the sentiment in the song. It was humble I guess.

I started a duo with Henry McGuinn called the Ragas shortly thereafter. I brought my song “Ordinary Guy” out as a possible tune that the Ragas could play but Henry passed on it. It wasn’t the high quality lyrics that we needed. Henry was into songs about the beach and more groovy nature type songs. My song “Ordinary Guy” was my attempt at being real. The Ragas recorded “Ordinary Guy” but as an instrumental.

Recording:
I played the Fender Telecaster B-Bender, 12 String acoustic, sang the lead and background vocals. Vladimir Maskoff played the electric bass. It was recorded on my 4 Track Tascam machine by Brian McKay in North Hollywood.

Tremolo Instrumental
Story behind:
I recorded this on probably in late 2001 or sometime in 2002. It was my attempt at possibly shoegaze. I might have been listening to the Brian Jonestown Massacre Methodrone album.

I used a tremolo pedal. Not much else to say about it. It’s cool.

Recording:
I played drums and electric guitar.

The track in the lost interview is an experimental track called Loony also from the Guittard Tapes.

Here’s where you can find additional podcasts for the Muffin Junkee Show
Jim Guittard
Southwestern Baptist Theological Seminary
Fort Worth, Texas June 2013

Published under Musicsend this post
2013 6 Apr

Just now releasing this one. It’s part of the “Guittard Tapes” and the tune was buried for over ten years. Now, it has the light of day. I recorded it in Los Angeles in 2001 or so. It’s heavy on the digital delay pedal with swirly organ. I intended as a prayer of sorts to God.

TIRED (PSYCHEDELIC VERSION)

TIRED (ACOUSTIC VERSION)

If you want to download the album in its entirety, go here:

Published under Musicsend this post
2012 23 Nov

The following songs were recorded mostly in Pasadena, California from 2010 – early 2012 on my Tascam 8-track machine.

 Tracks

1 2:14 122 listens
2 3:06 93 listens
3 2:25 82 listens
4 4:56 89 listens
5 4:32 98 listens
6 2:24 82 listens
7 3:03 112 listens
8 4:00 99 listens
9 2:10 118 listens
10 2:37 117 listens
Published under Musicsend this post
2012 16 Jul

Here’s an assortment of some 40 songs I put up at Youtube.

It’s been awhile since I’ve posted anything for the blog. Recently I found over 100 tapes of my old materials that I recorded on my old Tascam 4-track machines from about ten years ago when I was living in Hollywood, California (the first time). The tapes have been in storage for almost a decade. Among the findings are song demos that are quite good in a lo-fi way. I’ve uncovered demos of early Beach, Confusion, Lies, Guns, and Drugs, Can’t Be Down That Very Long, Creepville, Jazz Tune, some Byrds covers, and other rarities. Currently, I’m going through the tapes and transferring the sounds to digital and then mixing it down. I’ve posted some songs already.

Press here for the link to the Guittard Tapes.

Published under Musicsend this post
2011 9 Sep

It’s No Fun But I’m Ok by More Jim Guittard

Have you been scammed?
I sure have.
Have you been damned?
I sure have.
Have you been Uncle Sammed?
I sure have.
It’s no fun.

Have you been robbed?
I sure have.
Have you been kidnapped?
I sure have.
Have you been analysed?
I sure have.
It’s no fun.

Chorus:
It’s no fun but I’m ok today.
It’s not fun but I’m ok today.

Have you been chastized?
I sure have.
Have you been advised?
I sure have.
Have you been mockerized?
I sure have.
It’s no fun.

Have you been cashed out?
I sure have.
Have you been talked out?
I sure have.
Have you been drinked out?
I sure have.
It’s no fun.

Chorus:
It’s no fun but I’m ok today.
It’s not fun but I’m ok today.

Have you been on your own?
I sure have.
Have you been kicked out?
I sure have.
Have you been sent home?
I sure have.
It’s no fun.

Have you been in the middle?
I sure have.
Have you been taken to the cleaners?
I sure have.
Have you been called a fool.
I sure have.
It’s no fun.

CHORDS

F# A B

chorus E D

Words and Music by Jim Guittard 2011

Published under Musicsend this post
2011 29 Aug

This is another collaboration I did with Donnie Bugden that I think turned out pretty good. I came up with the basic rhythm guitar, bass line, and keyboard line. Donnie contributed the guitar with special effect, emotional melody and lyrics for the song. I sang basically in unison to his vocal track.

Here are the lyrics:

First Descent

I am the first descent
The first to go
The last you’ll ever know
I am the first descent
The first to go
The last you’ll ever know
The longest way down
Pulling shovels from the ground
Broke down now
On the way home
You are the last descent
The last to know
The last to go
The shortest way up
Pushing picks from the sound
Get off the merry go round
I am the first descent
The first to go
The last you’ll ever know

Music by Jim Guittard
Words by Donnie Bugden
2011

Published under Lifesend this post
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